Wearing Beads II • Watercolor on Arches |
The Process: I propped up several photos for reference and drew a pencil sketch—lines and soft shadows. The drawing looked good until I viewed it in reverse in the mirror above my painting table. After making corrections and checking it several times, I drew the subject (using pencil) on watercolor paper (Arches 140 lb. Cold Press, 1/8 sheet). Line only. No shadows.
I wet the paper by dipping it in cool water and letting it rest on my board until some of the water evaporated. I mixed very lightly a pale skin tone wash of red-orange-yellow-green (the colors although combined on my palette were still identifiable) and placed a gradated wash over her face and much of her hair. I added more warm color to the cheeks, then let the painting dry (I helped it along with my hair dryer). After re-wetting the painting and letting water evaporate, I began working on hair, shadow shapes, eye sockets. As the paper dried, I added more detail: irises and pupils, brows, nose, lips, beads. I loved watching her emerge. I'm rarely sure when a painting is done.
I often step away from the work, return later to look at it, fix something (of course), leave the painting, return again, repeat the steps. I like this little girl wearing beads. I like her well enough to put the painting in a frame and up on my wall. That's a good sign. It's how I evaluate my work. If I like a painting and want to keep it, I know it's good enough to sell. We each have to be the judge of our own work.
Thank you, friends, art lovers, and fellow painters, for reading my blog.
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